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Congress Puts the Smithsonian on Trial Over How America Tells Its Own Story

The Smithsonian hearing on Capitol Hill Tuesday was framed as an oversight session. It functioned as something closer to a referendum on what American history is allowed to say.

House Republicans spent hours pressing Anthea Hartig, director of the National Museum of American History, on whether the institution she runs has abandoned patriotism for grievance. Their arguments tracked closely with criticisms the Trump administration has been leveling at the Smithsonian for months.

Hartig, for her part, kept an even tone throughout.

The Charge From the Chair

The hearing was convened by the House Subcommittee on Delivering on Government Efficiency, a DOGE offshoot chaired by Rep. Tim Burchett of Tennessee.

Burchett set the frame in his opening statement.

“I feel like it’s become infected by a woke ideology that seeped into public displays, educational materials and planning documents,” he said of the Smithsonian. “The American story is the birth and growth of a great nation founded on powerful ideals and which we aim to fully achieve. But in the museum’s current telling, history is just an ongoing power struggle between oppressors and the oppressed.”

That last sentence is the crux of the entire dispute, and it’s worth sitting with. The disagreement isn’t really about individual exhibits. It’s about whether conflict and injustice belong at the center of a national narrative or at its margins.

The 162-Page Report Behind It All

Much of Tuesday’s questioning drew from a report the White House Domestic Policy Council released on July 4.

The document accused the Smithsonian of being subject to institutional capture by a radical, activist ideology fundamentally opposed to telling the noble, honest story of the country.

Its specific complaints against the National Museum of American History included:

  • Insufficient emphasis on the Founding Fathers and on colonial and Revolutionary history
  • Inadequate celebration of the nation’s 250th anniversary
  • Content the report characterized as anti-white activism
  • Content described as illegal alien and transgender activism
  • Efforts to indoctrinate teachers and students through exhibitions, programming and teaching materials

Democrats Counter With Their Own Document

House Democrats timed a 16-page rebuttal to land alongside the hearing.

Their report accuses the administration of working to erode public confidence in museums and the scholars who staff them, describing it as part of a wider effort to control and contort the historical record.

They also made an argument grounded in polling. Citing recent public opinion research, Democrats noted that museums consistently rank among the three most trusted institutions in the country, behind only friends and family, then added a pointed line: the White House is asking Americans to believe that the institutions they trust most are the ones spreading radical ideology, on the president’s say-so.

The Exchanges Got Personal

The session followed party lines almost perfectly, and some of the questioning turned sharp.

Rep. Nancy Mace of South Carolina asked Hartig about “Girlhood,” an exhibition that touched on gender identity and puberty, before posing a question that landed as a rhetorical jab: “When was your gender revealed to you, Dr. Hartig?”

Rep. Lauren Boebert of Colorado went at the museum’s racial content directly.

“You intend to use a taxpayer-funded national museum to push a racial narrative that divides Americans by their skin color and guilt?” she asked.

Hartig declined to escalate.

“So the Smithsonian is a nonpartisan institution we’re very proud of,” she replied.

A Democrat Draws a Line

Democrats on the panel connected the July 4 report to what they view as a broader campaign against museums, the arts and education.

The most forceful moment came from Rep. Kweisi Mfume of Maryland, speaking about the National Museum of African American History and Culture.

“I’m here as a Black man who grew up in segregation,” Mfume said. “We will not let you destroy that museum, no matter how long it takes, how many battles are required, how much effort is needed. We will not allow that to happen unless you find a way to kill all of us and walk over our bodies to change history. That history is too sacred, it is too precious, and it will not be erased.”

Who Actually Controls the Smithsonian

There’s a structural question underneath all of this that gets less attention than it deserves.

Under its charter, the Smithsonian’s 21 museums, 14 education and research centers, and the National Zoo are meant to operate independently of the federal government. The institution answers to its secretary, Lonnie G. Bunch III, and to a board of regents.

That board is not politically neutral by design. Its members include Vice President Vance, Supreme Court Chief Justice John Roberts and others appointed by Congress.

So the Smithsonian sits in an unusual position: formally independent, publicly funded, and governed by a body that includes senior figures from all three branches of government. That arrangement works fine until someone decides to test it.

Hartig’s Defense

Before testifying, Hartig submitted a two-page statement to the subcommittee that laid out her philosophy more completely than the hearing format allowed.

She wrote that when visitors, scholars, lawmakers, veterans and teachers tell the museum it has gotten something wrong or only partly right, the staff welcomes that feedback and makes changes when evidence supports them.

Then she addressed the central accusation directly.

“When historians talk about reframing a traditional narrative, we do not mean erasing it,” she wrote. “We mean adding the evidence, voices and objects that earlier tellings left out, so that more Americans can see themselves in the national story.”

She continued: “Examining the harder chapters of our history is not the same as hostility toward America. We can and do honor the Declaration, the Revolution, the Constitution, and our national symbols, and also tell the truth about the times the country fell short of its own founding ideals. Telling our history fully is not anti-American. It is a form of respect for the American people and a commitment to constantly be in pursuit of a more perfect union.”

During the hearing itself, she frequently echoed Bunch’s public statements about the institution’s mission and repeatedly said she and her staff strive to represent all Americans.

Not Over Yet

Neither the Smithsonian nor Burchett’s office responded immediately to requests for comment about Tuesday’s session.

Hartig was scheduled to return to Capitol Hill on Wednesday for an appearance before the House Administration Committee.

What’s Really Being Contested

Fights over museum content look like arguments about exhibit labels. They’re usually arguments about legitimacy.

Republicans on the subcommittee are making the case that a federally supported institution has drifted from a shared national story into an ideological one, and that Congress has both the right and the duty to correct it.

Hartig and her defenders are arguing that adding previously excluded material makes history more accurate, not less patriotic, and that the alternative amounts to editing the record for political comfort.

Both positions have real constituencies, and neither is going to persuade the other. What will settle it, at least practically, is money and appointments. Funding decisions and board composition shape institutions far more than hearings do.

The 250th anniversary is coming. Whoever controls how it gets commemorated will have won the more important argument.

Author

  • Lucienne

    Lucienne Albrecht is Luxe Chronicle’s wealth and lifestyle editor, celebrated for her elegant perspective on finance, legacy, and global luxury culture. With a flair for blending sophistication with insight, she brings a distinctly feminine voice to the world of high society and wealth.

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